My Name is Elon James White...: We Have A Serious Problem. #TrayvonMartin 
these comments are so unsettling.
To raise awareness about the #millionhoodies march and general online campaign I’ve posted the picture below on my social networks. This was the response on one of them.
[REDACTED]: Um no. This guy IS suspicious. I would totally purse clutch and traffic dodge to avoid and I’m not sure of…
via elonjames
The teachers have not talked about Trayvon Martin. I plan to tell kids at school why I am wearing this hoodie. Diego Esparza, 6th grade.
#Iamtrayvonmartin #millionhoodies #support
via iamtrayvonmartin
Where all the brothers and sisters get together... 
Soul Train was a space for us to shuffle off the coil of code-switching. There, our legends didn’t have to perform for audiences who regarded them as little more than organ-grinders.
dream hampton: Walk, Don't Run, To Red Tails 
Today is the day the future of big budget Black filmmaking hangs in the balance. According to George Lucas at least. After spending about 555 million adjusted for inflation dollars to make his 6 installments of Star Wars, Lucas has now vowed to abandon half a billion budgets forever…
via dreamhampton1
Novelist, poet, short story writer, biographer, essayist, and literary critic, Jessie Redmon Fauset played a pivotal role in the Renaissance. Although she was in her early forties at the height of the Renaissance, she played a dual role of creator of her own body of work and mentor to the younger group of writers. Fauset did not possess the characteristics generally associated with the Renaissance: she was older, reserved in demeanor, meaningfully employed, and her lifestyle was not bohemian in nature.
Miss Fauset is often referred to as an “older sister figure” to the younger writers, “midwife” of the Renaissance, and “provider of yeoman’s work for the Negro Renaissance.” In all respects, her services and contributions to the movement were appreciated and her novels endorsed by the established black critics of the day. Prior to her novels, the black middle class milieu was not a subject that was recreated in novels.
(Source: http://dclibrarylabs.org/blkren/bios/fausetjr.html)
via theharlemrenaissance
Langston Hughes flanked by Zora Neale Hurston and Jessie Redmon Fauset in 1927 at the grave of Booker T. Washington at Tuskegee Institute.
via vintageblackglamour
I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naive or innocent, who has the courage to treat me like a woman.
- Anaïs Nin
via blackacrylic
A Blues for Emanyea. 
Now that Emanyea has been told that it is, now that he has been formally accused (and convicted, by way of suspension) of sexual harassment, his elementary school is forcing him to confront language, definitions, and situations from which all nine-year-olds should be insulated. They’ve labeled him a delinquent. And perhaps worst of all, they’ve criminalized that most universal of childhood experiences: a crush.
so touching.
my grandmother has always said grace at each of our feast-centered family holiday functions, namely thanksgiving and christmas. lots have changed since the first time i can remember standing around a dining table holding hands with relatives while my granny prayed. that circle of bowed heads and held hands has gotten increasingly smaller each year—i lost great-uncles to old age, lost young cousins to suicide, lost siblings to new families of their own. c’est la vie, i guess. and some has changed about my grandmother as well, of course—she sits and delivers grace now that she can’t stand for very long anymore; you have to strain to hear her clearly and strain even harder to make out the words she says thanks to her twisted esophagus, which she got thanks to the last stroke she had.
but what has never changed is the aria in her voice, the poetry in her tongue, the way she almost seems to become another person once her head is bowed, a stark contrast from the woman who used to pull my teeth by hand, cut callouses from her feet with butcher knives, and peel mice from glue traps without wincing. her accent, rough-edged and thick, is still there, but she fragile, she is delicate, she is crystal that you are afraid will crack beneath the weight of her pleading, the tide of tears threatening the corners of her eyes. she is swaddled in her Sunday best, reams of pastel humility and the deep blue of her earnestness, reserved for the only thing fully deserving—her God, her Heavenly Father, the only one who can save her soul and provide for her children once she is gone. when she prays, you become voyeur, bearing witness to a desperate bargain: if you spare me, if you have mercy on my children…when she prays, i hold my breath and breathe my own thanks when she pauses. thank you, whoever you are, for another year with her; thank you for another chance to be serenaded, even through slurred tongue and impeded mouth, by the heart of a woman fighting and loving in the same breath.
——-
last year, i got the idea to record my grandmother as she said grace, but i got the idea too late. this year, i came to the table prepared and was able to capture her on my iphone. i wanted to share the audio here; i know it may be hard to make our the words, so have transcribed her prayer below.
father, we thank thee for another thanksgiving holiday.
thank you for all the blessings that thou hast bestowed upon us
through days have passed and gone
father, we know thee
and we love thee
with all our hearts
grant unto us such things as we stand in need of
grant unto us the things that thou would have us do and to go
go with us, stand by us,
and when comes our time,
give us a home in thy blessed kingdom
for we give thee the praises forever and ever
amen.
via aboutmygranny









